The strangest part of all of this? As channeled through Lebowski, the song has become the unofficial wedding song of my generation. He soon released another masterpiece, New Morning, which contains, amid the laid-back country songs and light-rocking tunes, the once-obscure tune that really ties The Big Lebowski together, “The Man in Me.” “Take a woman like your kind/To find the man in me,” he sings, likely representing for the Dude his affection for his sort-of love interest, Maude.
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Where the song is heard: During the opening title sequence, as well as during the scene where the Dude flies after he's been knocked out by Maude Lebowski's henchmen.Īt some point post-Woodstock, Bob Dylan decided he wanted to shake loose much of his fan base, i.e., the late-wave hippies. Released during World War II, “Tumbling Tumbleweeds” evokes the romance of the Old West Lebowski, on the other hand, which was released in 1998, retreats to a time of war, the early '90s, just about the time of our conflict with Saddam and the Iraqis. Though the principals are long dead, the group survives today with different personnel. Evoking the 19th-century cowboy era, the group's smooth harmonizing was featured in just about every Hollywood Western that featured music from 1935 to 1950. Though he was born in Ohio, Rogers met his Sons of the Pioneers co-founders in Los Angeles.
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The Sons of the Pioneers were a hugely influential Western group formed in 1933 and co-founded by the singing cowboy Roy Rogers, star of more than 100 Western movies and an eponymous TV show. Though the plant's origins aren't Western (far from it), it has come to symbolize windswept Western landscapes, perfect for Lebowski, whose bad-guy sheriff, gunslinging sidekick, cowboy narrator and just-wants-to-be-left-alone hero give it a Western feel. The tumbleweed, aka salsola tragus - or Russian thistle - is an annual that dies, breaks off at the stem and disperses seeds as it drifts through the desolate desert landscape, rolling with the wind.
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As our story begins, the Dude sniffs a carton of half-and-half in a Ralphs, as “Tumbling Tumbleweeds” morphs into grocery-store Muzak. Where the song is heard: During the opening credits, as a tumbleweed rolls through Los Angeles, past Benito's Tacos and Eagle Rock Lanes and onto the beach. It's almost frightening how much forethought went into setting the film's mood. Masterfully curated by roots-obsessed performer and producer T Bone Burnett - who would later win a Grammy for his work on the Coen brothers' O Brother, Where Art Thou? - the music in Lebowski is a second narrator of sorts, carrying the Dude along, sometimes against his will.īelow, the Weekly's music writers thoroughly dissect the most memorable and important songs from the movie. In the film, his subconscious is filled with psychedelic anthems, and his bumbling waking efforts are soundtracked by vivid tracks from the '60s and '70s, both famous and obscure.
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As a former Metallica roadie and free love-era denizen still trying to live the dream, The Big Lebowski's protagonist is known to draw lines in the sand: He loves Creedence Clearwater Revival, but he hates the fucking Eagles.
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The Dude's identity is strongly informed by music. Weekly is celebrating The Big Lebowski 's 15th anniversary with a massive cover story tribute! Check out our other Lebowski -themed stories.